Through this time of quarantine and isolation, we feel that sharing stories is now even more important than ever. We want to make this as easy as possible for everyone but we do owe it to the creators of our books to be able to let them know that it’s happening, and where possible encourage people to get hold of their books too.
In order to encourage reading and classroom read-aloud experiences, and to support schools and public libraries forced to close by the escalating COVID-19 outbreak, Nobrow and Flying Eye Books are permitting teachers, librarians and booksellers and bloggers to create and share story time and read-aloud videos and live events for families stuck at home, according to the following guidelines:
For Teachers and Educators providing distance learning to students in a virtual classroom setting:
Story time or classroom read-aloud videos in which a Nobrow or Flying Eye book is read aloud and the book is displayed (for picture books) may be created and posted to closed educational platforms such as Google Classroom, Schoology, Edmodo and Discovery Education, Dojo in order to replicate the read-aloud book experience that would otherwise be available to educators in the classroom.
These story time and classroom read-aloud videos may be hosted on the educational platform and/or YouTube (as an “Unlisted” file) until the end of the current school year, after which we request that they be removed from the educational platform and/or from YouTube, unless this permission is extended for the next school semester.
For Booksellers, Librarians & Bloggers who wish to provide a story time reading or other read-aloud experience:
Story time or read-aloud live events in which a Nobrow or Flying Eye book is read out loud and the book is displayed may be streamed live, in real time, on social media platforms such as YouTube, Facebook, Twitter, and Instagram, we’d love it if where possible you could tag us in @NobrowPress or @FlyingEyeBooks and the creator(s) of the book along with a link to buy the book. We will also share your reading to our followers.
Reporting requirements – We ask that all educators, librarians, booksellers & bloggers please email [email protected] to let us know of the reading, so that we can let the creator(s) know that it’s happening and also help to share it to a wider audience.
We sat down with award winning illustrator David Doran, who we recently had the delight of working with on Orchestra, a beautiful large format book which is the perfect introduction for budding musicians and those with a passion for the orchestra.
From atmospheric film soundtracks to exhilarating live performances, the dazzling sound of the orchestra is unmistakable. Within Orchestra you can meet the performers who bring the music to life, the instruments that take centre stage and discover the beauty behind each and every note.
We picked David’s brains on everything from his own passion for music to how he puts together his elegant and inspiring illustrations. Read on below for more!
Whilst your drawings for the book are
very clean and digital, they also feel very vibrant and full of life. Do you
immediately draw onto a tablet or iPad, or do your illustrations start life in
My process has gradually become more digital
over the years, through working on projects and finding the most efficient ways
to work. Though, I always do my best to maintain the handmade quality…I love
seeing slightly wobbly lines and the artists hand in work!
Is this illustrative process the same
when working on editorial work as well as on books?
Editorial timings can involve such
quick turnarounds, sometimes a week, sometimes a matter of hours. I enjoy the
challenge of thinking fast, working up concepts and speeding towards a quick
With this book, I spent nearly 3.5yrs
with the idea, working with the team at Flying Eye, gradually developing the
concept and working hard to make the book the best book it can be.
Orchestra has a beautiful colour
palette full of complimentary peaches and blues, how did you come to settle on
the colour choices for the book?
l wanted the colours in this book to be striking, warm, engaging and joyful. I have very specific memories of certain books I had as a child, vivid colours and lines; I loved Orlando the Marmalade Cat the drawings were beautiful. I can picture my favourite spreads, and how the colours always stood out. With the more traditional printing process of these books being so clear to see, often using 3 or 4 main colours that overlap to create the full palette, I wanted to reference this directly in Orchestra, by using only 4 grounding colours in the palette myself. The difficult part was to find 4 colours that gave the book enough variety from each page to page.
The subjects of your illustrations
seem to always be lovely and varied, from landscapes to people, full colour
spreads to spot illustrations. You utilise this whole wide range of skills in
Orchestra – did you have a favourite part of the book to illustrate?
I think that the variation from page
to page is what makes a book so special to have. There’s a lovely transition as
you turn the page and the opportunity to show the variety and surprise the
reader with each turn is something that I wanted to make the most of.
My favourite part of the book was
illustrating all the different characters on each page and including small
details for readers to gradually find (birds stealing breadcrumbs, mice hiding
on stairwells…). As a child, I loved pouring over the details and I’m hoping children
can have the same experience of finding something new on each page with
And was there a most challenging
There’s a lot of detail and intricate
information in the book that needs to be shown correctly. The most challenging
part was creating and designing the layouts of each page that show the
information both accurately and also engagingly.
Some of the illustrations of
instruments are quite technical, how was this to work on?
Yes, there’s so much detail to
capture on the instruments, and it’s very important to get it right when
creating something educational. I had a lot of input from the team at Flying Eye
who checked all the details with a professional.
What’s your own relationship with
I love music! We have music playing
in the studio almost all day (with a few podcast exceptions). I’ll often listen
to Orchestral music when I’m reading briefs or emailing, as I find it great to
concentrate too and often get a little distracted from reading when there is
And finally, do you have any advice
for any new illustrators who are interested in book illustration?
Enjoy what you’re making and find
ways to make it personal to you!
I’m sure we can all agree that the artwork for Ancient Wonders, our latest non-fiction Flying Eye title about the mysteries and marvels of the Ancient World, is absolutely stunning.
Fully illustrated throughout by Avalon Nuovo, you can feel the awe-inspiring nature of everything from the Pyramids of Giza to the Hanging Gardens of Babylon emanating through the pages. The depth and sense of scale that Avalon creates in her illustrations is incredibly impressive – bringing a monument to life that hasn’t actually been seen for thousands of years is no small feat!
To celebrate the publication of Ancient Wonders we decided to dig a little bit deeper into Avalon’s working process, and she let us in on some of the secrets behind how she puts together her illustrations.
Avalon was also generous enough to send us some of her work-in-progress videos, which document her entire drawing process. See below for a time-lapse of one of her double page spreads coming to life!
So how do you begin your illustrations, do you use one program for every element?
For the roughs, I always work in Photoshop on a big Cintiq monitor. The roughs of each page are really more about design than they are about drawing, so I’ve found it really important to do the roughs on a large screen, where I can view each spread at the same size as the printed book while I’m drawing. If I don’t, I often make something that looks nice at half-size, but when it’s enlarged to actual size, it might look totally awkward!
I tend to make the rough illustrations really, really detailed— they’re in black and white, but I basically paint in all of the darks and lights and make it look pretty finished. Sometimes it feels like a lot of work for something that really only a handful of people will see, but it’s so helpful to to be super clear when showing the designer/editor what exactly what it’s going to look like, so that we can do all the decision-making before the final illustration.
It’s also a lot more enjoyable for me to make all those decisions in the sketches, so that when I do the final illustrations, I get to sit back and let my mind wander and just enjoy the drawing (and some music/podcasts/netflix to keep me company!)
And what do you do when it’s time to move on from the roughs?
Once they’re all approved, I turn the photoshop files into flat JPEGs and send them to my iPad. I use Procreate on my iPad Pro to make the final illustrations, and as you can see from the time-lapse videos, I basically use the rough sketch as an underlay.
I usually draw over all the linework first with the sketch at low opacity underneath. After that, I keep the sketch layer turned off while I fill in the color, but I continue to use it as reference for all the lighting and darks/lights that I’ve already figured out in the rough sketch. I send it back to my computer when I’m done, change the document from RGB color mode to CMYK (Procreate only support sRGB at the moment— hopefully that changes soon!), and it’s done!
What makes you prefer using an iPad over a computer?
I could definitely do the final artwork on my computer, but using my iPad really just became a habit because— aside from the fact that I LOVE the workflow in Procreate— I had to do a fair bit of traveling for Christmas holidays and other jobs while I was working on Ancient Wonders, and working on my iPad meant that I could be working on final illustrations pretty much anywhere.
That’s made for some really nice memories associated with the book, personally— when I look at the Hanging Gardens of Babylon spread, I remember working on it while watching an (American) football game with my family in northern California while visiting for Christmas, and when I look at the Inspiration: Artemis spread, I remember making it while on a trip to Finland to meet my partner’s family for the first time!
And what about the analogue vs. digital debate, are you firmly a digital person?
I actually really love working with analogue media— I’m a really dedicated sketchbook keeper and when I’m making illustrations just for fun, I still find it most satisfying to use ink, gouache and colored pencils.
I have two desks in my home studio— one with my monitor/computer, and one that has a tilting top for good old-fashioned drawing. I haven’t used it a lot these days though— ultimately I’ve realized that because my work is so detailed, it’s more realistic to work digitally for my professional work.
As a result, I haven’t used traditional materials much lately— nowadays my drawing desk is where my partner sits so that we can keep each other company while we both work late into the night (or, now that my partner has finished their thesis, so that we can still hang out while I work and they play Skyrim!)
Invented by Luke Pearson, beloved by us, Hilda follows the adventures of a fearless blue-haired girl as she travels from her home in a vast magical wilderness full of elves and giants, to a bustling city packed with new friends and mysterious creatures
And whether you’ve been following the Netflix series or not, you can follow along with Hilda’s adventures in our illustrated fiction series!
These tie-in titles expand on Hilda’s adventure’s in the show’s first series, giving you a new insight into both Hilda’s world and her own thoughts and feelings
This makes the books perfect for either a lover of the animated series, or someone only just setting out on their first Hilda adventure
Each book is beautifully illustrated by Seaerra Miller, who captures all the citizens of Trollberg perfectly
And if you didn’t already know, Hilda actually first began as a graphic novel way back when we published Luke Pearson’s Hilda and the Troll! Have a look at a page below and you can see how far Luke Pearson’s drawing style has changed
Since Hilda and the Troll we’ve published four more graphic novels following her journey:
As a child, my personality was quiet and reserved, but my feelings were noisy. I was a stomper and a door-slammer — tucked in the middle of the sibling order. In retrospect, I see those characters from the animated movie, Inside Out sitting at the dashboard, haphazardly pushing buttons and battling for control. They acted independently of me, and they longed for expression — longed to be seen and heard (ahem — stomp, stomp). They often appeared in writing: in notes and stories, in journal entries and, as a small girl, in posters strewn across the house for my parents to find, depicting my honest, and probably unhelpful, feelings regarding the discipline of practicing piano (“I HATE PIANO”).
Sharp edges soften. That angry sadness, along with its note-scrawling, door-slamming and foot-stomping, finds a fullness of expression and, often, a quietness. That once-slammed door is sheepishly opened. This is the arc that my first picture book, Out, Out, Away From Here(illustrated by Sang Miao), follows. The story moves readers from the fullness of that noisy feeling — of MAD-SAD-GLAD — to a peace and quiet that we can all find within the space of our own imaginations. No matter how small, we all need to learn emotional intelligence, and that requires practice, care, and patience.
Though I don’t have formal child psychology training, I have spent a lot of time with children, teaching them and learning from them, in daycares and preschools, as a private tutor, as a homeschool teacher. Children have a lot to teach us. They navigate the world with lighthearted wonder, with honest and direct thought and feeling, and with an attention to the present moment. As we teach and care and parent them, we have much to learn from them — to learn together.
How do we encourage emotional intelligence in young children? How do we empower kids to cope with and carry feelings in healthy ways?
1.Remember, Feelings Begin Physically
Tantrums, stomping, frowning, fist-clenching. Identifying feelings is a challenge for all of us — grown-up or not. Young children may only know how to verbally express happy, sad, and mad. While still learning ways to channel and show these feelings, they will express themselves physically. We can help children to identify the clues their bodies/behaviors give them about those unnamed feelings.
2.Encourage, empower, and guide children to name their own feelings
Ask open-ended, exploratory questions. Try to veer away from questions with yes/no answers. Example: How are you feeling? What happened to make you feel this way? What can we do to calm you down or cheer you up?
3.Affirm that feelings are legitimate
Feeling sad, tired, grumpy, nervous, excited — these feelings are real and often important. Let children know that this is normal and okay, that adults feel these too. Share your experiences and strategies with children. When you’re feeling a certain way, how do you cope? We may not choose our feelings, but we can choose how to express them. My parents’ repeated advice was this: “you may be feeling this way, but you don’t need to act this way” (this was usually tired and grumpy, they were referring to).
Children need access to the outdoors to experience the quiet, beauty, and wonder of nature. Feelings need room to spread out.
In the midst of noisy feelings, children and caretakers can benefit from a pause. “Taking five” was a tool I used in the classroom to allow students (often frustrated and unproductive) five minutes to use in their own, quiet way — often with a pile of books. They, and I, often returned to the task more calm and ready.
6.Read illustrated books aloud
This medium offers children language higher than their level of expression — but not their level of understanding. Books give kids a greater ability to hold and communicate feelings.
7.Give feelings feet!
Encourage children to let their feelings move. If they’re happy feelings — or any sort of feeling, really — dance! As an adult, too, I have to remind myself to sometimes leave my brain and heart behind. Take a walk, write in a journal, create art, play. Move!
8.Help children to recognize that feelings are temporary
A wise friend of mine says you feel feelings — but you aren’t your feelings. Imagine them like visitors. How can we take care of them while they’re here? What can we learn from them? They’ll show themselves out, when they’re ready. They’ll come and go again.
9.Teach that caring for ourselves helps us to care for others
Learning to recognize and care for our own emotions is a necessary precursor to practicing compassion. Encouraging children to know and recognize their own feelings will help them to observe the same in others — and to practice compassion.
10.Remind children that feelings are complicated and that it’s okay
Feelings are often more muddled-up than happy, sad, or mad, but that makes it so important to talk through them.
The world of feelings is wonderful and complicated. It’s a world we all carry within us, child and adult alike. Guiding children to carry their emotions in appropriate ways will lead to healthier children and, someday, healthier adults — capable of caring for themselves and for others. Join me in a journey we all take, over and over again, out, out, away fromhere — through that mountainous terrain of feeling.
Rachel Woodworth grew up in Canada and graduated from a liberal arts university in the United States. With an ongoing wonder with words and the world, writing has accompanied her for the whole of her travels. Out, Out, Away From Here (published by Flying Eye Books) is Rachel’s first book and is available now. She is currently living in Tanzania.
Joe Todd-Stanton joins us to celebrate the release of his new book, The Secret of Black Rock. Featuring strong female characters, epic adventure and a friendly island(!) this beautiful story is a must for children and adults alike. Come and enjoy a story reading, sea creatures fact sheets and tropical fish collage as part of our Children’s Easter Festival. This event is free however please email to guarantee your spot. Ideal for ages 4-9.
Spring has sprung with The Little Gardener! Author and illustrator Emily Hughes joins us to celebrate the changing seasons and the release of her beautiful new book. As well as a story reading we will be decorating our own plant pots and planting our own sunflower in this fun and educational activity session, part of our Children’s Easter Festival. Perfect for ages 3-7.
Join author and illustrator Jim Stoten to celebrate Mr Tweed’s Busy Day. This search-and-find adventure story is packed with riddles that we need you to help us solve. Tasks will be placed around the children’s section and will include both paper and 3D searches – with Easter themed prizes! This is event forms part of our Children’s Easter Festival. This event is free however please email to guarantee your spot. Perfect for ages 5-9.
Who: Pippa Goodhart
When: Tuesday 11th April, 13:00 -14:00
Where: Waterstones Piccadilly
Rabbits, bunnies, hoppity hops, call them what you like but we LOVE bunnies! This Easter join author Pippa Goodhart for a range of rabbity stories, songs and games to celebrate her new book My Very Own Space as part of our Children’s Easter Festival. This event is free however please email to guarantee your space. Perfect for ages up to 6.
Join us at Libreria for an interstellar drawing workshop with illustrator Tom Clohosy Cole. Based upon his beautiful leporello ‘Space Race’, participants will be invited to draw planets, rockets and all else that might be found amongst the stars, creating their very own concertina book to take home. Suitable for ages 5+
Help illustrator Owen Davey transform the Events Room into an underwater seascape inspired by his book, Smart about Sharks. Learn about different types of marine creatures and create your own using a range of materials.
Foyles x ELCAF is a new collaboration which sees the UK’s largest independent bookshop teaming up with the East London Comic & Arts Festival to celebrate some of the best creative talent in the UK. This year, we open our doors in Chelmsford, London, Birmingham and Bristol to host a series of workshops, talks and one-to-one meetings with illustrators, comic artists and experts in the field. Curated by ELCAF, this eclectic programme aims to celebrate the dynamic work of artists that are making waves in the UK’s independent comic, narrative art and illustration scene. This is the first in the series and is a children’s event focussing on the art of drawing big.
Artist and illustrator, Katie Harnett will be leading a hands-on workshop for budding artists. Katie specialises in children’s books and has worked on both picture books and book covers. Join in the fun of creating a large scale collaborative drawing and learn all about how to ‘draw big’. This event is suitable for children aged 5-10 years.
To mark the release of Safe & Sound, we asked Loris Lora to share, and talk us through, some of the beautiful images she hand-painted for the book.
“Here’s a work in progress of the cover. This is actually the second version and i’m glad that we reworked it as it ended up having much more of the animals in which made it much more active.”
‘This was the first illustration I worked on for the book. I wanted to create an underwater scene that is largely influenced by vintage children’s book illustrations and created a transparent effect using gouache paint. I loved working on the mother crocodile and the way her body curved in the illustration.”
“I think these two next to one another in the spread work really well. I really like the balance between a spot illustration and a full page illustration. Painting fur on the wolves and anteaters was fun to work on. I love being able to “drybrush” fur.”
“With the monkeys I wanted them to have an active composition. I like that I was able to paint them as they swing through the page surrounded by different hues of green.”
“The bears are probably one of my favorites in Safe & Sound. But I may be bias as my nickname growing up by parents was “Osito” which means Little Bear in spanish. I was really happy with the composition on this one and loved painting the sleeping cubs.”
“A big challenge on these the baby blue birds was making them look fun and cute. I knew I wanted to have a group of them and loved the ideas of using different kinds of blue. My favourite is the one peeking out.”
“I’m really happy with the the composition worked out. I thought it would be different to have the mother lions back towards the viewer and have her baby cub peeking through.”
“Loved working on the rhinos. This was a great opportunity for me to work on textures on both the rhinos and abstract grasslands, which later influenced the endpages for the book.”
“Knowing this would be one of the last animals listed in the book. I wanted to create an image that had a big impact on the spread. Painting a BIG baby blue whale was so much fun. And having part of the mother in the background to show scale was a nice addition.”
A huge thank you to Loris Lora for sharing these pictures and insight into her incredible process. You can now order finished copies of Safe & Sound, containing all these beautiful images and so many more here and from all the very best (UK) bookshops!
It’s the moment we’ve all been waiting for… the Nobrow and Flying Eye spring 2017 catalogues have arrived! We’ve been working hard with many talented authors, poets and, of course, illustrators and we can finally reveal two of our most exciting lists to date.
From Robert Hunter’s surreal and bewitching love story (Map of Days) to Hamish Steele’s anarchic comic take on ancient Egyptian myths (Pantheon), the Nobrow list is sure to have something for everyone!
With Flying Eye Books, we’ve created books that encourage compassion, bravery, and a greater understanding of the natural world around us; whether it’s following a daring sea adventure (The Secret of Black Rock) or perusing pages of natural wonder (Wild Animals of the South).
We can’t wait for you to see all these books next spring, but in the meantime we’d love to know which ones you are most looking forward to reading and why. You can let us know via our social media channels!
Gather round, everyone! Powell’s City of Books is hosting a special Kids’ Storytime with the one and only Keith Negley!
This Saturday, Keith will be reading from his latest picture book: the stirring, funny, and sweet My Dad Used to Be so Cool. Follow along with Keith as he tells you about a tattooed dad with a rock star past, and find out the heart-warming reason behind why he decided to give it all up.
Afterwards, be sure to stick around for your chance to get your book signed by Keith!
Orlando, FL –
At the end of last month the ALA Annual and the ABA Children’s Institute welcomed the award-winning artist William Grill for a week of panels, signings, and fun at their annual shows! William sent over some pics of the cool things he was up to during his visit to Orlando and we thought you might want to take a look:
Here’s a message from William:
Stepping out of the airport I was instantly greeted by the warm Orlando air, reminding me that it was Summer, something that I’d forgotten about back in London. Like the weather, the librarians, booksellers, and illustrators I came across all greeted me with the same warmth and enthusiasm.
It was a pleasure to chat to people from all over the country that had come together to get excited about new books. As an illustrator you rarely get to meet the people who actually help promote your work through shops and libraries, without them we’d be stuffed!
Having made a book that is rooted in American culture I’m glad I could make a connection with people of the same background, especially those that live near New Mexico and have heard of the story.
The most memorable part of the trip was discussing how to make books more appealing for reluctant readers with illustrators as well as librarians. This is what really drives me to keep making books and seeing what you can do with the format. It’s encouraging that the US is conscious of this, and it’s something I hope to continue being a part of.
Lastly, it might look fun to pretend you’re being scooped up by an excavator bucket but those things are ridiculously dirty, be warned.
For more on The Wolves of Currumpaw, be sure to check out our webshop!
Also, don’t forget to check out The Wall Street Journal’s review and Publishers Weekly’s interview with William!
By now you’ve probably already been introduced to Marcel, our favourite New York pup! He loves to go for walks with his human, checking out the sights and sounds of his beloved neighbourhood. Did you know a lot of the best spots in Marcel’s city are based on real places in New York? Here are five, real-life locations that inspired scenes from Eda Akaltun‘s Marcel.
AMNH has an iconic dinosaur exhibit at its entrance hall, a dramatic representation of an imagined prehistoric encounter: a Barosaurus rearing up to protect its young from an attacking Allosaurus. The Barosaurus skeleton, which is the tallest freestanding dinosaur mount in the world, is composed of replica bones cast from actual fossils.
Entering the museum to see and maybe even taste those bones is Marcel’s biggest dream, one that he imagines will never come true as dogs are not allowed. When the new human manages to sneak him in, Marcel ends up having one of the best days in his life and the event changes the course of their relationship for the better.
2- West Village
This is Marcel’s home with his human. He feels safe and loves it here, and gives the reader all the reasons why it’s so great in their area. He particularly likes that there are no high rises around and the abundance of activities that are available.
Marcel is a very particular pup who loves the high life – he enjoys smoked salmon and listens to jazz! It’s only natural that he needs pampering spa days like the rest of us and his favourite one happens to be in downtown naturally.
4- Ruff and Sons (in real life: Sadelle’s – this is where the photo was taken. The name was inspired from a NY institution Russ & Daughters)
Only the finest nosh for this pup! He loves this spot and introduces it to the reader as the best bagels in the city. The human happens to agree as she’s leaving it with a bag full of goodies!
Ahh the Washington Square Park! This is where Marcel’s favourite jazz band ‘The Bone Daddies’ play. It’s also one of the best and most iconic parks downtown and has a great dog play area.
New York city has inspired countless artists, and we hope that Marcel inspires you to see the beauty of your own neighbourhood!
Be sure to check out the rest of Marcel’s adventures in Eda Akaltun’s Marcel, available now in our webshop!
And who knows where this adorable pup’s adventures will take him next…
Did you know that sharks can detect electrical currents from other creatures? Or that some are covered in loads of tiny little tassels? Owen Davey demystifies these boneless fish in his beautiful new book, Smart About Sharks. This week is Shark Week, so to celebrate this and the release of his book, we asked our new shark expert, Owen Davey to share the favourite facts he learned putting it together!
1. The largest shark to have ever lived (the Megalodon) is thought to have been 16-18 meters long and weighed the same as 30 Great White Sharks.
2. Sharks can detect heartbeats using their Ampullae of Lorenzini (freckle-like dots on a shark’s nose),
3. Sharks can’t chew. They have to swallow their prey whole, crush it, or bite chunks off.
4. The Epaulette shark can actually walk on land using its fins.
5. Sand tiger sharks gulp in air and store it in their stomachs so that they can float just above the ocean floor silently and sneak up on prey.
Dive right into this underwater world and grab a copy of the book here!
Have you heard the news?! That’s right, HILDA IS COMING TO NETFLIX!!
We are so thrilled and proud to announce that Luke Pearson’s blue-haired explorer is set for her biggest adventure yet, making the leap off the page and onto all kinds of small screens, thanks to Netflix and Silvergate Media.
Here are a few words from Luke: “I’m obviously very excited to be able to finally say this is happening. Alongside drawing a new book I’ve been working with Silvergate on this for a while now and can confirm that it’s in unbelievably good hands. An inordinate amount of love and attention to detail is going into this thing and I’m looking forward to sharing the result in a couple of years’ time.”
And from Nobrow co-founder Sam Arthur: “Hilda has come such a long way since we started work on her first book with Luke in 2010. It’s the most wonderful and exciting thing to know that she will now reach an even wider audience with this TV series. We are delighted to have found such excellent partners in Silvergate Media and Netflix, who are going to do an amazing job of bringing Hilda to the screen.”
The news was broken by The New Yorker last week along with an interview with Hilda’s creator, Luke Pearson and you can read it here!
The official press release from Netflix says: ‘A production of Silvergate Media, the makers of Octonauts, in collaboration with Mercury Filmworks, Hilda transforms the Eisner-Award nominated graphic novels by Luke Pearson and published by Nobrow into an incredible animated adventure for older kids. The series follows the journey of a fearless blue-haired girl as she travels from her home in a vast magical wilderness full of elves and giants to the bustling city of Trolberg, where she makes new friends and discovers mysterious creatures who are stranger –and sometimes more dangerous– than she ever expected. Netflix members worldwide will be able to join Hilda on her thrills and escapades beginning in 2018.’
‘Hilda is starting to shirk her responsibilities, seeking days filled with excitement instead of spending time at home… and her mother is getting worried. While trying to stop Hilda from sneaking out into the house spirits’ realm, the pair find themselves flung far away into a mysterious, dark forest – the land of the trolls! Will they be able to work out their differences in time to rescue each other and get back home? And are the trolls all as sinister as they seem?’
For all the biggest Hilda fans, we also have HILDA TOYS! These are limited edition, high-quality vinyl art toys and make perfect desk companions and shelf inhabitants! Make sure you get one now, before they run out!
Meet Marcel, he’s a New Yorker through and through. He’s jetting in to London this weekend to celebrate the launch of his new book. Come and join him for a morning of storytelling and crafts with his creator, acclaimed New York illustrator Eda Akaltun.
Listen to Eda read Marcel’s story and then create your very own cityscape collage for Marcel to make his home. Marcel is sure to steal your heart and ignite your imagination!
Each child attending this workshop will not only go home with their very own cityscape collage but guests will also be presented with a fabulous goody bag filled to the brim with Marcel treats. Books will be available to purchase on the day which Eda will happily sign and dedicate for you.
Time: 11am-12:30 Date: Saturday 25th June Address: MOLLY MEG 111 Essex Rd, London N1 2SL Phone: 020 7359 5655
This is a FREE event suitable for 3-8 years (all materials will be provided)