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Philip Giordano on I Ate Sunshine for Breakfast

In this time of strange uncertainty and worry, so many of you have been loving the bright and beautiful illustrations from I Ate Sunshine for Breakfast, so to tell you a bit more about them, we had a (socially distant) chat with their creator, Philip Giordano.

Born in a small coastal town in Liguria, Italy, to a Filipina mother and Swiss father, Philip Giordano is a tireless globetrotter, who now lives and works in Tokyo. After studying at the Brera Academy of Fine Arts and at the European Institute of Design, he earned a Master in Animation in Turin. He works for a number of magazines and publishing houses around the world, illustrating book covers, designing toys, and creating children’s books and animations.
The simple and colorful shapes of his illustrations, his iconic characters, and his graphic landscapes render his unique style immediately recognizable and transform his stories into breathtaking visual journeys. 

Flying Eye Books: The illustrations of I Ate Sunshine for Breakfast are absolutely stunning and brimming with life from all kinds of habitats. Where did you get your inspiration for the book?

Philip Giordano: When I was young, I grew up surrounded by plants. I was lucky because my home in Italy is located between the sea and the green Ligurian countryside. My mother taught me her love for gardening. I remember that inside the house we had large trunks where she planted the orchids she brought from the Philippines (her native country) and other exotic plants that she grew to feel connected to her Asian roots. It felt like being in a jungle.

As a child, I was struck by a photo of Margaret Mee (a British botanical artist specialized in plants from the rainforest and ecological activist) in one of my mum’s gardening magazines. She was suspended over the forest intent on painting the flower of a species that blooms only at night (I think it was called Moonflower).

So I started collecting plants and became a plant nerd at an early age, hoping one day to become like her: a sort of brave 19th-century explorer and discoverer of new species. And I knew for sure that I wanted to draw them!

FEB: Illustrating text written by expert ecologist and educator Michael Holland, did you learn a lot of things about the wildlife you never knew before?

PG: I already had some knowledge of the plant world, but working on “I Ate Sunshine for Breakfast” I discovered a lot of facts, especially from chapter three where Michael explains how much plants are present in and connected to our daily life. For example, when he talks about a fern from New Zealand that Māori hunters would use to find their way back home after hunting at night because the undersides of these plants’ fronds are visible. I was amazed to learn this! 

FEB: Working with educational and factual text on nature did you find it difficult to accurately illustrate plant and animal anatomy whilst making sure the children understand the processes of nature visually?

PG: The main challenge was to create scientific illustrations while maintaining my geometric, abstract, colourful and surreal style. I hope I stuck a good balance amongst all these elements.

To introduce the world of plants to children, I created a group of humanised quirky insect characters led by “Little Square”, a square-shaped fly, that appear throughout the book.

FEB: What is your creative process when working on a children’s book? How does this differ to other work you’ve been commissioned for?

PG: It’s my first non-fiction book and there is a lot of illustrated page: 114! As I’ve never done a book before dedicated exclusively to plants, it was something completely new, regarding both the non-fiction aspect as well as the amount of work to be managed in a limited time. It was a bit overwhelming, but also very exciting.

Fortunately, I got to work with an excellent team. I’d like to thank the remarkable designers for their outstanding direction as well as my dear agent for her reassurance in difficult moments.

FEB: And was there a most challenging part you found working on I Ate Sunshine for Breakfast?

PG: One of the difficult parts was managing the work in different locations. During the making of the book, I was travelling a lot for work. The storyboard part started in the Japanese countryside and ended around Taiwan and Honk Kong. Most of the final illustrations were made in my hometown in Italy.

I was fortunate in that I got ideas by directly observing the flora in the different countries I visited. Like some strange fruits eaten in Hong Kong, or tropical ferns spotted in Taiwan, or ancient pine trees in Japan. I tried to put these things into the book. (You can spot them ;) )

FEB: Your artwork is SO vibrant and bursting with energy, where do you get your colour inspiration from? And how do you create your textures?

PG: From my childhood, from all the time I spent alone in the fields watching insects and other small creatures all day long. From a book, found in Tokyo before starting the project, about fabrics and wallpapers from the fifteenth century to the present day. There are beautiful and unusual palettes. I create my textures by scanning patterns made using monotype techniques, ink brush strokes, collage out of old paper.

FEB: The animals and plants illustrated in geometric, dramatic art style have such beautiful quality. How did you develop this visual style?

PG: approached illustration because I wanted to reproduce the beauty of natural creatures, their colour and their complexity. My course in naturalistic painting (20 years ago!) gave me the basis to faithfully reproduce things with pictorial mediums. I still have the hobby of painting realistically on wooden boards.

At a certain point, however, I was fed up with representing reality, with all its shadows, shades, perfect proportions and boring rules on perspective. I needed to simplify, tidy up, see things from another point of views. This coincided with my arrival in Japan where I’ve been living for the last 9 years. In particular, I immediately fell in love with a certain essential and geometric Japanese graphic style from the 1950s (Takashi Kono) and started to observe and study them. It was a natural process. And, I was in Japan where the abstraction of forms is the basis of their aesthetics.

FEB: If forced to pick just one plant, which is your favourite of all?

PG: From the plants I draw, one of my favourites is the tulip with its bulb and roots. One of my favourite plants (a Plant that I want at home with me) is the big fern tree! I think I miss the jungle house of my childhood.

FEB: And what was your most favourite part of the book to illustrate?

PG: I had fun creating the compositions of the 4 chapters. One of my favourite pages is “Watery World”.

Thanks so much for taking the time to answer our questions Philip!

You can order a copy of I Ate Sunshine for Breakfast here and find downloadable activities to do at home here.


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DIY with I Ate Sunshine for Breakfast!

Whether you’re brushing up on your home teaching skills or just looking for some fun activities for these fresh spring days, we’ve got you sorted 🌻

I Ate Sunshine For Breakfast by Michael Holland and Philip Giordano is an incredible introduction to the world of plants and is packed full of fascinating facts about the powerful science behind the great green machines of the natural world. This comprehensive guide covers everything from the parts of a plant through to conservation, and is full of inspiration for gardeners both young or old. 

We’ve picked out our favourite nature-based DIY activities from its pages for you and your little ones to crack on with. From how to make your own cornflower slime to making beautiful leaf prints to decorate your home, you’ll need nothing more than what you’ve already got on your shelves and in your garden.

And if you take a try of these activities and would like to see more, grab a copy of I Ate Sunshine For Breakfast from our online shop, or ask your local independent bookstore if they can post you a copy. All copies ordered from our site, Storysmith Books in Bristol or Sevenoaks Books in Kent will come with a free poster and seed packets.

First up…

DIY: Cornflour Slime

Slime: nature edition! For this one all you’ll need is some fine cornflour, water and a bit of food colouring – not a manmade chemical in sight. You could even try making your own food colouring from turmeric, beetroot, or spinach! Truly a-maize-ing stuff.

DIY: Wild Weed Bottle Garden

If you live in a flat or don’t have your own garden, that doesn’t have to stop your gardening adventures. Head along on a walk to a local park or nature spot, and build your very own wild weed bottle garden to take home with you. A free and easy way to bring a bit of nature to your windowsill.

DIY: Leaf Printing

A beautiful way to make some artwork or gifts out of nothing more than leaves, card and a regular ink pad. A wonderful introduction not just to the different types of leaves that have fallen in your garden or local park, but how to do simple and easy printmaking. What else can you find in your garden to print with?

DIY: Invisible Ink

Who knew you can now become a spy with nothing more than a lemon, a pen and a sheet of blank paper?! This magical trick will fool everyone you want to keep secrets from, and is the perfect way to pass notes without those pesky parents knowing a single thing.

DIY: Make Your Own Plant Maze

This insightful activity is not only fun to put together, but demonstrates the incredible way plants grow! Another indoor activity which requires no outside space, you’ll just need some seeds, an old shoebox, and all your creativity.

DIY: Bean Bag Boules

Finally, a use for those oversized multicoloured socks your gran got you last Christmas! Just follow the instructions below to make your very own bean bags, ideal for any range of home-PE lessons.

If you enjoyed these activities then don’t wait to order your own copy of I Ate Sunshine For Breakfast, which is bursting with even more facts and fun! At a weighty 128 pages, this comprehensive guide will offer your young gardener hours of insight into the natural world, and help water their budding passion for science and nature.

I Ate Sunshine For Breakfast was written and researched by the expert ecologist and educator Michael Holland, former head of Education at Chelsea Physic Garden. He has taught tens of thousands of people, aged 2 to 92, about the natural world and is on a mission to educate and inspire people from all walks of life about the powerful world of plants and the vital role they play in our daily lives.