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Nobrow in October

It’s been another busy month here at Nobrow HQ, and we’ve got yet more exciting events lined up for this November! Whether you’re US or UK based there’s a score of things for you to get in your diaries, so whack out your pen and notebook and take a look below…

US EVENTS

AJ Dungo connects with the surfing community, in discussion with surfer and Fulbright scholar Jamie Brisick in Los Angeles

Summer may be over, but for any of you in the vicinity of AJ Dungo’s SoCal stomping grounds, you know the waves come year-round for surfing! AJ will be at Skylight Books in Los Angeles on October 11 to discuss in Waves with surfer, author, and Fulbright scholar Jamie Brisick.

If you haven’t checked it out yet, we interviewed AJ here on the Nobrow blog last month. One of the most rewarding parts of publishing In Waves to us has been the enormous response it’s received not just from traditional media outlets like The Los Angeles Times, but the surfing community as well, culminating in a sweeping interview with AJ at the sport’s most iconic periodical, Surfer magazine.

Jamie Brisick is a former professional surfer-turned-author, receiving a Fulbright fellowship in 2008. His recent piece “Surfing in the Age of the Omnipresent Camera” for The New Yorker is worth a read for anyone who enjoyed In Waves’ pensive reflections on life in the water.

Friday, October 11 — 7:30pm
18 N. Vermont Ave.
Los Angeles, CA 90027

Luke Healy in the Big Apple! A conversation about Americana with cartoonist Malaka Gharib at the New York Public Library

Luke Healy may be an Irishman living in London, but his new graphic memoir Americana reflects on his time spent in the United States, so it’s only fitting that he cross the Atlantic one more time to discuss his book in the country it’s named after. Luke will be at the New York Public Library’s Grand Central location on October 19 to discuss Americana with our friend Malaka Gharib—whose new graphic memoir I Was Their American Dream (Clarkson Potter, 2019) also explores personal identity as it relates to the United States as a concept.

Malaka is the global health and development editor at NPR, and the founder of the D.C. Art Book Fair, held annually at the National Museum of Women in the Arts in Washington, D.C. Check out The New York Times’ recent in-depth feature profile on Malaka, “How to Draw Yourself Out of a Creative Funk”!

Saturday, October 19 — 2:00pm
135 East 46th Street
New York, NY 10017

Luke Healy in the Windy City! Cartooning workshop at Challengers Comics in Chicago

Call it a U.S. tour! After a quick NYC trip, Luke is hopping on a plane to Chicago to chat about Americana at Challengers Comics + Conversation on October 28, where he’ll be leading a workshop entitled “How to Be the Best Pictionary Player in the World,” a 30-minute cartooning workout that’s sure to get your creative juices flowing, and hopefully spark some great DIY comics! Challengers is one of the most active comic shops in the Chi-town art community, hosting all sorts of events on a near-daily basis to support the local comics scene.

Monday, October 28 – 7:00pm
1845 N. Western Ave.
Chicago, IL 60647

Nobrow at Comic Arts Brooklyn 2019!

Once again we’ll be tabling at Brooklyn’s premier independent comics festival on November 2, in the strange gymnasium of the Pratt Institute campus where this year you’ll be able to snag a copy of Hamish Steele’s new book DeadEndia: The Broken Halo for the very first time, ahead of its November 5 street date! We’ll also have our full bevy of brand new releases and back catalogue classics in tow, so stop by and say hullo. If you’ve never been before, CAB is a free annual show organized by Pratt and local indie comics staple Desert Island Comics to highlight the best of independent cartooning.

Saturday, November 2 – 11:00am to 7:00pm
200 Willoughby Ave.
Brooklyn, NY 11205

UK EVENTS

Nobrow at Nottingham ComiCon

Nottingham ComiCon is set to be a very special one this year – we’ll have our whole set of shiny new releases with us, from AJ Dungo’s moving memoir In Waves to the long awaited sixth instalment in the Hilda series, Hilda and the Mountain King.

Saturday, October 9 – 10am to 5pm
Nottingham Conference Centre, Burton Street
Nottingham, NG1 4BU

MCM Comic Con London

We’re delighted to be representing the very best of Nobrow and Flying Eye at MCM Comic Con in London this year. We’ll be there all weekend, hand selling our favourite titles and offering some exclusive MCM discounts.

Friday 25th to Sunday 27th October – 10am to 7pm Friday and Saturday, 10am to 5pm on Sunday
ExCeL London
Royal Victoria Dock, 1 Western Gateway
Royal Docks, London E16 1XL

DeadEndia: The Broken Halo Launch at Gosh! Comics

More info to come on this one, but save the 1st November in your diaries! Hamish Steele is back with DeadEndia: The Broken Halo – the long awaited sequel to the first DeadEndia graphic novel. We’re planning a suitably spooky launch London institution Gosh! Comics, so keep an eye on this space…

Friday, November 1
Gosh! Comics
1 Berwick St, London
W1F 0DR


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Eleanor Hardiman on The Sleepy Pebble

A beautiful treasure trove of tales perfect for bedtime, The Sleepy Pebble and Other Stories is co-written by sleep specialist Professor Alice Gregory and children’s author Christy Kirkpatrick, who’ve incorporated mindfulness and other techniques into every chapter.

The book is fully illustrated throughout by Eleanor Hardiman, whose elegant watercolours truly bring this book to life. We sat down with Eleanor to get a closer look at her working process, and to get a behind-the-scenes look at her studio.

We’ll pass you over to Eleanor to tell you more…

Using analogue media is really important to me and my process, and that starts right from the sketch stage. My roughs always start with pencil sketches, I have one retractable super chubby pencil that I love drawing with, it means I can create more flowy shapes and spreads without getting caught up in detail. 

The Sleepy Pebble and Other Bedtime stories took inspiration from old fairytale books in it’s layout and contains a huge mix of different elements, this was the biggest challenge for me! The book includes a set of patterns, spots, character’s, drop caps and single and double page spreads for each story.  All my sketches start as little thumbnails and are then redrawn and finalised at book size to keep everything consistent. There were so many elements on the go I made tick-charts for each story to keep on top of all the artwork in its various stages. Seeing the rough sketches in the book layout for the first time was really exciting, it went from pages of various sketches into something book-like!

Each of the stories were so different and I paid attention to creating different environments with different plants and details for each one. I based the tree story on french lilly filled lakes, and the pig story took inspiration from the Vietnamese mountainous countryside. 

Each of the 5 bedtime stories has a different limited colour palette, so my next step was to make detailed colour plans for each story and element, so that all the decisions are made before the final artwork stage. Watercolour is a very unforgiving medium so it’s saves so much time by planning everything out! I transfer the pencil sketches over to procreate for the iPad pro and plan the colours digitally. The iPad means I can try lots of different colour ways out quickly without painting each option. This process saves lots of time and makes me more adventurous with colour, although I had to be mindful about including colours that are as effective in paint as they are screen. 

With a new book layout full of coloured roughs I was ready to start final artwork, my favourite part! I like to get really settled at my desk before painting, as I’ll be there for a while. I usually have a cup of tea and a good podcast on the go. On my desk I have the sketch, colour plan for reference, a mix of brushes, tissue paper, clean and dirty paint water, masking fluid and a scrap of paper for testing the colour and consistency of the paint. I work traditionally with watercolour, meaning I start by painting the lightest colours, and work my way to the darkest using a combination of washes and thicker paint for the darker details. Simple elements like the drop caps or characters are painted as one final image, however more complex spreads with lots of elements are painted in layers and compiled together on photoshop. This means there is less pressure to paint everything perfectly first time (phew!) and also means elements can be moved or changed individually if they need to. I worked on each story one at a time, this was to make sure they all looked consistent as mixing paint again is tricky, but this also meant I really got to delve into each one, I love each story for different reasons and having this variety was a great part of the project. 

After scanning and combining the different layers of each image I start to edit the artwork digitally. This usually includes small tweaks like adding saturation or contrast to the paintings, cleaning up any marks and neatening any edges. Illustrating the cover of the book was so special as we got to include spot gloss and gold foiling (my favourite!), it also meant I got to revisit the underwater artwork and use all the squiggly coral patterns and speckled pebbles. 

The Sleepy Pebble is out now in the UK, available on our website and in all best bookshops. The release date for the US and Canada is October 15th, and available from Penguin Random House.