To mark the release of Safe & Sound, we asked Loris Lora to share, and talk us through, some of the beautiful images she hand-painted for the book.
“Here’s a work in progress of the cover. This is actually the second version and i’m glad that we reworked it as it ended up having much more of the animals in which made it much more active.”
‘This was the first illustration I worked on for the book. I wanted to create an underwater scene that is largely influenced by vintage children’s book illustrations and created a transparent effect using gouache paint. I loved working on the mother crocodile and the way her body curved in the illustration.”
“I think these two next to one another in the spread work really well. I really like the balance between a spot illustration and a full page illustration. Painting fur on the wolves and anteaters was fun to work on. I love being able to “drybrush” fur.”
“With the monkeys I wanted them to have an active composition. I like that I was able to paint them as they swing through the page surrounded by different hues of green.”
“The bears are probably one of my favorites in Safe & Sound. But I may be bias as my nickname growing up by parents was “Osito” which means Little Bear in spanish. I was really happy with the composition on this one and loved painting the sleeping cubs.”
“A big challenge on these the baby blue birds was making them look fun and cute. I knew I wanted to have a group of them and loved the ideas of using different kinds of blue. My favourite is the one peeking out.”
“I’m really happy with the the composition worked out. I thought it would be different to have the mother lions back towards the viewer and have her baby cub peeking through.”
“Loved working on the rhinos. This was a great opportunity for me to work on textures on both the rhinos and abstract grasslands, which later influenced the endpages for the book.”
“Knowing this would be one of the last animals listed in the book. I wanted to create an image that had a big impact on the spread. Painting a BIG baby blue whale was so much fun. And having part of the mother in the background to show scale was a nice addition.”
A huge thank you to Loris Lora for sharing these pictures and insight into her incredible process. You can now order finished copies of Safe & Sound, containing all these beautiful images and so many more here and from all the very best (UK) bookshops!
It’s the moment we’ve all been waiting for… the Nobrow and Flying Eye spring 2017 catalogues have arrived! We’ve been working hard with many talented authors, poets and, of course, illustrators and we can finally reveal two of our most exciting lists to date.
From Robert Hunter’s surreal and bewitching love story (Map of Days) to Hamish Steele’s anarchic comic take on ancient Egyptian myths (Pantheon), the Nobrow list is sure to have something for everyone!
With Flying Eye Books, we’ve created books that encourage compassion, bravery, and a greater understanding of the natural world around us; whether it’s following a daring sea adventure (The Secret of Black Rock) or perusing pages of natural wonder (Wild Animals of the South).
We can’t wait for you to see all these books next spring, but in the meantime we’d love to know which ones you are most looking forward to reading and why. You can let us know via our social media channels!
Start spreadin’ the news! Eda Akaltun, creator of Marcel, is hitting the Big Apple for three days of fun events featuring New York’s favorite French Bulldog, Marcel!
It all starts at 11:30am on Sunday, November 20th at Brooklyn’s POWERHOUSE. Stop in for a very special story time session! Eda will be performing a live reading of her debut picture book, Marcel, and it’s sure to be a fun time. Stick around after the reading to meet Eda and get your own signed copy of Marcel!
Then at 10:30am on Monday, November 21st, Eda will be taking her storytelling talents to FIKA at the TurnStyle concourse below the iconic Columbus Circle! Come by and check out this vibrant Manhattan scene, sitting in the heart of New York’s incredible subway system. (And while you’re there, why not check out our very own kiosk popup shop?)
That’s three stops on Eda’s Marcel tour, and three chances for you to meet Eda and to hear all about that street-wise city-dwelling pup Marcel! We’ll see you there, New York!
WHOA WHOA WHOA SPECIAL UPDATE! We got so excited about meeting all of you, we’re going to be kicking off the Marcel Tour a day early! Join Eda at 1:00pm on Saturday, November 19th at Books Of Wonder for the November Picture Book Bonanaza! Eda will be joining the lineup of picture book authors, ready to show off their great new work. Hope we can catch you there!
Hey New York, we’ve got some exciting news for you! Nobrow and Flying Eye Books have opened up our very own limited engagement pop up shop… in the heart of New York’s subway system! That’s right, from now until November 21st, you can find us in the TurnStyle concourse beneath Columbus Circle, Monday thru Friday.
Come check us out! You can take the A, B, C, D, or 1 train to Columbus Circle and find us on the TurnStyle concourse, or if you’re coming from above ground, just take the stairs down from 57/58th street & 8th ave.
We’ve set up a lovely little kiosk, stocked up with some of our favorite titles from Nobrow and Flying Eye Books, and we’re ready to sell them to straphangers, pedestrians, New Yorkers, and tourists alike!
Yahhooo, Dogs in Cars is here! Count to 100 through the many breeds of dogs from French bulldogs to Great Danes, as they wreak havoc upon the streets in their recognisable locomotives! In this hilariously illustrated introduction to the world of dogs and cars, Emmanuelle Walker and Felix Massie pay homage to these glorious animals and their moving machines.
To celebrate its release, we caught up with illustrator / animation director extraordinaire, Emmanuelle Walker to talk about collaborating with Felix on this cool canine car compendium, illustration, animation and more…!
1)What came first – the words or pictures? How did you and Felix collaborate on the project?
What came first was a spreadsheet. A spreadsheet including a list of A to Z breeds, and car brands – because yes, the number of dogs corresponds to the number of each alphabet letter, which also corresponds to the name of the dog breed and the car brand! A=1 – Alpha Romeo/Afghan hound, B=2 – Bentley/Beagles, C=3 Citroen/Corgis, D=4 – Delorean/Dalmatians, etc.
I then gave that list to Felix as a base for the text, and it evolved from there. He picked the breed and the brand that he thought served the story the best. He added to the dog and car list too if he thought there was an even better option.
He did a first draft, and that’s really when I started working. Over time some of the rhymes slightly changed, but the idea stayed the same.
2) Which is your favourite spread from the book and why?
The dog I had the most fun drawing was probably the Old English sheepdogs, because I love drawing hairy things, could you count all the hair on that spread?
I like all the book spreads, but the special one is probably number 10, where I drew my dad in his blue Jeep and myself as a child with our 10 Jack Russells (even though we never had a single Jack Russell!).
3) Do you have a dog? If so what kind and what are they called? If not… what kind of dog would you most like to have?
No I don’t, unfortunately. My favorite dog in the world is probably the whippet because of all the crazy positions they can make thanks to their long limbs. If I had a garden big enough (or if I had a garden at all) I would have one.
4) Could you tell us a little bit about your illustration process?
I usually do some sketch research first. There were so many different and sometimes similar breeds, so I had to find a way to simplify them and understand the shapes.
To have a better general overview of what the book was going to look like, I did some super quick thumbnails of the spreads.
Then I prepared a template document in Photoshop because I wanted all the cars to be proportional to each other when you flip the book pages. So the small cars are tiny on the page, versus the trucks for example. Once I had the template I picked the illustration I wanted to do the most on that day. I started with the 13 Maltese.
I then roughed the car first, then the dogs and background with a thin black line. Once I was happy with the rough I made a colour-test layer to decide what the colours were going to be. Sometimes it’s a quick process, sometimes it’s harder to find something that pleases me. At this stage it’s only refining that’s left but that’s the longest and most tedious part!
Once I was happy with the colours I started selecting the different zones of the illustration with the freehand lasso tool. Basically, every colour is a different layer so I can easily change things if I need to.
And for the rest of the pages, I balanced everything depending on the number of dogs on the page. So if I had to draw a lot of dogs for one page, I would then pick one with less dogs, and so forth.
5) You work now as an animation director, what do you enjoy most and what are the challenges involved with making a children’s book outside of your day job?
I can’t really pick a favourite between directing, animating, and illustrating, I need the three to feel balanced. Animation is great, and bringing characters to life is extremely satisfying, but it can be very tiring to draw the same drawing over and over, (and then retracing/cleaning up everything afterwards). Illustration is great, you can take all the time you want to create one single image but it doesn’t move! And finally directing means that you often get to work on bigger projects, with a team to help you, but it can be stressful and the clients are not all always easy to manage. Luckily I work with great producers who take care of them most of the time.
Because I don’t have a regular schedule or regular clients, my days are always different. I have some super busy months where I stay at the studio until midnight, and other times, I can go weeks/months without working. The main challenge I’d say is not to get too stressed in the down times and try to travel a bit to work on personal projects (that will often bring you more work), find some inspiration elsewhere for other projects, and disconnect for a while.
Thank you so much Emmanuelle! Drive away with a copy of Dogs in Cars now!
To celebrate the launch of this next exciting instalment, on Thursday 8th September from 7.30 to 9pm, Hilda’s creator Luke Pearson will be joining us at Gosh! comics.
Luke will be in conversation with author, cartoonist and comic book aficianado Gary Northfield, discussing his creative process, the upcoming Hilda animation (as much as he’s allowed to) and whatever else might crop up in the evening. It’s a not to be missed chance to peek into one of UK comics’ most verdant creative minds. And a chance to get a copy of a Gosh! exclusive Hilda & the Stone Forest bookplate edition!
The Facebook event page can be found here. No need to book, no tickets required: just bring yourself down for 7.30-9pm on Thursday the 8th September, seats first come, first served for what promises to be an informative, entertaining evening.
I have worked for the Fairtrade Foundation for the last three and a half years, writing learning resources for teachers to explore with their students about where their food comes from, how closely we are connected to people all over the world by the food we eat and how choices we make as consumers affect the producers at the other end of the supply chain. Put simply, I write about some of the ways in which the world is unfair and some of the ways we can try to make it fairer.
Before that I worked at Comic Relief for four years, again on the Schools team, encouraging young people to get involved in Red Nose Day and Sport Relief, raise money and help people struggling in the UK and the world’s poorest countries.
I am a big fan of elephants, dogs, dinosaurs and beautiful books.
As I said, I worked for a maritime museum – and not just in the publishing department but in the galleries themselves for a number of years. I have stood beside a replica of the James Caird for many a day so I am well-versed in the life of Shackleton. In fact, I rather big-headedly wondered if William Grill could even have any information that I didn’t already know – and my goodness he did!! The detail in this story is incredible and the language evocative. A handy glossary differentiates your conning from your cross-bracing and however much you think you know about Shackleton’s attempt to cross Antarctica I guarantee that you will learn something new.
My second book was Professor Astro Cat’s Intergalactic Activity Book. While Shackleton’s Journey is wistfully sketched and beautifully described, Professor Astro Cat whizz-bangs from the page and gets you up and involved from the get-go. I may not have mentioned that I actually ran a detective agency in my youth – the Clueless Detective Agency – you may have heard of us? My co-founder Agent 33.3 and myself, Agent 21.5 were quite the problem-solvers of our little village in Kent (a high point being when we found a shoe without an owner – although I believe that case is still unsolved). Anyway, I digress, but it is a relevant digression because Professor Astro Cat tapped straight into my 9 year old detective brain – once again I was learning Morse code and the NATO phonetic alphabet and was given Astro Cat’s decoder to translate curious extraterrestrial text! It was amazing! There is so much to do in this book!!
I have made a star gazer, learnt some Russian, measured wavelengths using chocolate and a microwave (who knew that was possible?!) and I have designed a gym for cosmonauts to use on space stations (you’re welcome NASA). The best things I learnt were that I am essentially made of stardust which is very cool and if I move to Pluto I might just have superhuman strength. I honestly think this might have been the most fun I’ve ever had learning anything. I should add that I also nearly fell off my chair and I spilt a bowl of cereal whilst wearing three pairs of gloves – ‘why?’ and ‘how?’ I hear you cry – well, you will just have to read the book yourself to solve that case.
If you are a blogger, librarian, bookseller, illustrator… or straight-up, die-hard, all-round Nobrow/ Flying Eye Books fan and you would like to write a guest post for our blog, please get in touch at [email protected]!
Gather round, everyone! Powell’s City of Books is hosting a special Kids’ Storytime with the one and only Keith Negley!
This Saturday, Keith will be reading from his latest picture book: the stirring, funny, and sweet My Dad Used to Be so Cool. Follow along with Keith as he tells you about a tattooed dad with a rock star past, and find out the heart-warming reason behind why he decided to give it all up.
Afterwards, be sure to stick around for your chance to get your book signed by Keith!
Orlando, FL –
At the end of last month the ALA Annual and the ABA Children’s Institute welcomed the award-winning artist William Grill for a week of panels, signings, and fun at their annual shows! William sent over some pics of the cool things he was up to during his visit to Orlando and we thought you might want to take a look:
Here’s a message from William:
Stepping out of the airport I was instantly greeted by the warm Orlando air, reminding me that it was Summer, something that I’d forgotten about back in London. Like the weather, the librarians, booksellers, and illustrators I came across all greeted me with the same warmth and enthusiasm.
It was a pleasure to chat to people from all over the country that had come together to get excited about new books. As an illustrator you rarely get to meet the people who actually help promote your work through shops and libraries, without them we’d be stuffed!
Having made a book that is rooted in American culture I’m glad I could make a connection with people of the same background, especially those that live near New Mexico and have heard of the story.
The most memorable part of the trip was discussing how to make books more appealing for reluctant readers with illustrators as well as librarians. This is what really drives me to keep making books and seeing what you can do with the format. It’s encouraging that the US is conscious of this, and it’s something I hope to continue being a part of.
Lastly, it might look fun to pretend you’re being scooped up by an excavator bucket but those things are ridiculously dirty, be warned.
For more on The Wolves of Currumpaw, be sure to check out our webshop!
Also, don’t forget to check out The Wall Street Journal’s review and Publishers Weekly’s interview with William!
By now you’ve probably already been introduced to Marcel, our favourite New York pup! He loves to go for walks with his human, checking out the sights and sounds of his beloved neighbourhood. Did you know a lot of the best spots in Marcel’s city are based on real places in New York? Here are five, real-life locations that inspired scenes from Eda Akaltun‘s Marcel.
AMNH has an iconic dinosaur exhibit at its entrance hall, a dramatic representation of an imagined prehistoric encounter: a Barosaurus rearing up to protect its young from an attacking Allosaurus. The Barosaurus skeleton, which is the tallest freestanding dinosaur mount in the world, is composed of replica bones cast from actual fossils.
Entering the museum to see and maybe even taste those bones is Marcel’s biggest dream, one that he imagines will never come true as dogs are not allowed. When the new human manages to sneak him in, Marcel ends up having one of the best days in his life and the event changes the course of their relationship for the better.
2- West Village
This is Marcel’s home with his human. He feels safe and loves it here, and gives the reader all the reasons why it’s so great in their area. He particularly likes that there are no high rises around and the abundance of activities that are available.
Marcel is a very particular pup who loves the high life – he enjoys smoked salmon and listens to jazz! It’s only natural that he needs pampering spa days like the rest of us and his favourite one happens to be in downtown naturally.
4- Ruff and Sons (in real life: Sadelle’s – this is where the photo was taken. The name was inspired from a NY institution Russ & Daughters)
Only the finest nosh for this pup! He loves this spot and introduces it to the reader as the best bagels in the city. The human happens to agree as she’s leaving it with a bag full of goodies!
Ahh the Washington Square Park! This is where Marcel’s favourite jazz band ‘The Bone Daddies’ play. It’s also one of the best and most iconic parks downtown and has a great dog play area.
New York city has inspired countless artists, and we hope that Marcel inspires you to see the beauty of your own neighbourhood!
Be sure to check out the rest of Marcel’s adventures in Eda Akaltun’s Marcel, available now in our webshop!
And who knows where this adorable pup’s adventures will take him next…
Did you know that sharks can detect electrical currents from other creatures? Or that some are covered in loads of tiny little tassels? Owen Davey demystifies these boneless fish in his beautiful new book, Smart About Sharks. This week is Shark Week, so to celebrate this and the release of his book, we asked our new shark expert, Owen Davey to share the favourite facts he learned putting it together!
1. The largest shark to have ever lived (the Megalodon) is thought to have been 16-18 meters long and weighed the same as 30 Great White Sharks.
2. Sharks can detect heartbeats using their Ampullae of Lorenzini (freckle-like dots on a shark’s nose),
3. Sharks can’t chew. They have to swallow their prey whole, crush it, or bite chunks off.
4. The Epaulette shark can actually walk on land using its fins.
5. Sand tiger sharks gulp in air and store it in their stomachs so that they can float just above the ocean floor silently and sneak up on prey.
Dive right into this underwater world and grab a copy of the book here!
Have you heard the news?! That’s right, HILDA IS COMING TO NETFLIX!!
We are so thrilled and proud to announce that Luke Pearson’s blue-haired explorer is set for her biggest adventure yet, making the leap off the page and onto all kinds of small screens, thanks to Netflix and Silvergate Media.
Here are a few words from Luke: “I’m obviously very excited to be able to finally say this is happening. Alongside drawing a new book I’ve been working with Silvergate on this for a while now and can confirm that it’s in unbelievably good hands. An inordinate amount of love and attention to detail is going into this thing and I’m looking forward to sharing the result in a couple of years’ time.”
And from Nobrow co-founder Sam Arthur: “Hilda has come such a long way since we started work on her first book with Luke in 2010. It’s the most wonderful and exciting thing to know that she will now reach an even wider audience with this TV series. We are delighted to have found such excellent partners in Silvergate Media and Netflix, who are going to do an amazing job of bringing Hilda to the screen.”
The news was broken by The New Yorker last week along with an interview with Hilda’s creator, Luke Pearson and you can read it here!
The official press release from Netflix says: ‘A production of Silvergate Media, the makers of Octonauts, in collaboration with Mercury Filmworks, Hilda transforms the Eisner-Award nominated graphic novels by Luke Pearson and published by Nobrow into an incredible animated adventure for older kids. The series follows the journey of a fearless blue-haired girl as she travels from her home in a vast magical wilderness full of elves and giants to the bustling city of Trolberg, where she makes new friends and discovers mysterious creatures who are stranger –and sometimes more dangerous– than she ever expected. Netflix members worldwide will be able to join Hilda on her thrills and escapades beginning in 2018.’
‘Hilda is starting to shirk her responsibilities, seeking days filled with excitement instead of spending time at home… and her mother is getting worried. While trying to stop Hilda from sneaking out into the house spirits’ realm, the pair find themselves flung far away into a mysterious, dark forest – the land of the trolls! Will they be able to work out their differences in time to rescue each other and get back home? And are the trolls all as sinister as they seem?’
For all the biggest Hilda fans, we also have HILDA TOYS! These are limited edition, high-quality vinyl art toys and make perfect desk companions and shelf inhabitants! Make sure you get one now, before they run out!
Meet Marcel, he’s a New Yorker through and through. He’s jetting in to London this weekend to celebrate the launch of his new book. Come and join him for a morning of storytelling and crafts with his creator, acclaimed New York illustrator Eda Akaltun.
Listen to Eda read Marcel’s story and then create your very own cityscape collage for Marcel to make his home. Marcel is sure to steal your heart and ignite your imagination!
Each child attending this workshop will not only go home with their very own cityscape collage but guests will also be presented with a fabulous goody bag filled to the brim with Marcel treats. Books will be available to purchase on the day which Eda will happily sign and dedicate for you.
Time: 11am-12:30 Date: Saturday 25th June Address: MOLLY MEG 111 Essex Rd, London N1 2SL Phone: 020 7359 5655
This is a FREE event suitable for 3-8 years (all materials will be provided)
Last month, we were thrilled to release the second book from Kate Greenaway Medal winning William Grill, The Wolves of Currumpaw. Where Shackleton’s Journey took us on an epic expedition to the icy antarctic, this time we’re following Ernest Thompson Seton’s true life tale of hunters and the wolves they were hired to trap, set across the vast plains of New Mexico in the dying days of the old west.
After a busy month of launch events, we finally managed to sit down with Will to ask him a few questions for you!
1. Why did you decide to write (and draw) about Lobo and Seton’s story?
As well as being an emotive story, I was struck by how Seton’s tale says something relevant about our relationship to nature today. For me, his experience with Lobo is a good allegory for how regrettable our selfish treatment of nature may be. The tale unfortunately ends with Lobo’s death, but what Seton goes on to do afterwards can be seen to redeem his actions in some way.
2. How do you feel attitudes have changed since Seton’s time?
I think now there is more of an appreciation for nature and we have a deeper understanding of ecology, a concept which didn’t really exist in the late 1800s. In Seton’s time, animals were treated more like a resource and anything that was a nuisance was removed. Thankfully this attitude has changed a great deal, as we understand that many animals like wolves play a vital role in the food chain and deserve to live freely.
The main focus of my story was to show how one man’s attitude towards nature changed, influencing the early conservation movement and the way we treat animals. In a wider sense, I also wanted to show that these destructive early attitudes affected not only wolves but caused extreme suffering to Native Americans, however I am aware that my book in no way represents the full oppression and devastation inflicted upon Native Americans by the European settlers. That would be a whole other book, one that deserves a full story to itself.
3. How did your own research inform your adaptation of Seton’s original story?
I think the story has a lot more impact when you know the context to it and what attitudes were like at the time. In a visual sense, travelling to Corrumpa Valley in New Mexico allowed me to take lots of first hand sketches and photos which influenced much of the artwork. Since wolves are no longer present there, I spent a week at a wolf sanctuary where I was able to draw wolves all morning. Simply drawing wolves at the sanctuary gave me lots of good reference for different postures and expressions which I tried to incorporate into the book.
7. It’s almost a year since you won the Kate Greenaway prize for Shackleton’s Journey! How did it feel to win? Do you have any plans to go into fiction, and can you tell us anything about what might be coming next?
It completely took me by surprise and still feels unreal to think I was chosen. It’s hugely encouraging to have the support from all the judges, although it now adds a little pressure to live up to the previous book!
I would like to venture into fiction at some point, although I’m enjoying non-fiction a lot at the moment. I think it would be interesting to try my hand at a darker subject matter in the future too. What really interests me though is blending genres and producing a book that is unusual. It’s hard to say what’s next at the minute as there are a few ideas floating about. I’m thinking it could be set somewhere green though, in a jungle or a forest perhaps.
8. What’s in your sketchbook at the moment? Can we take a look?
My sketchbook is in a display case at Waterstones Piccadilly right now for another three weeks so you can see them for real! I don’t have much else current but I visited Kew Gardens a while back and did a few chalk drawings there.
Having spent quite some time building (and writing about) my treasured collection of Nobrow and Flying Eye Books titles, choosing my favourite is a very hard decision indeed. However, if there was a gun to my head (an unlikely scenario, I know, but it is always good to be prepared) then Simona Ciraolo’s debut Flying Eye Book Hug Me would have to be my top choice.
Hug Me brings together an unbeatable combination of quirk, humour and heart to tell a story of Felipe, a cactus in search of friendship and, of course, hugs. This adorable starting point alone makes Hug Me a strong contender for the top spot and add in the book’s warm, rustic aesthetic, surprising and hilarious plot twists and heartwarming happy ending and you have, in my opinion, the perfect picture book.
So we have established I am a fan of Simona’s debut title (I think that is pretty clear, right?) and so it will come as no surprise that when her second Flying Eye Book was released, I was excited to say the least. At this time, knowing there were people like me eagerly awaiting her next title, Simona herself was feeling the pressure.
“You can’t help but fear that there’s perhaps a higher expectation towards your second book: someone who liked the first might draw comparisons between the two and, well, find it disappointing! But really what made working on the first one a lot less daunting was that things moved so quickly I hardly had a chance to dwell over it.”
– Simona Ciraolo
Whatever Happened to My Sister?, Simona’s second title, looks at a girl’s bemusement at seeing her older sister growing up and is not Hug Me 2 in any way, shape or form. The biggest changes between the two books is aesthetic. Simona’s second book relies more heavily on smoother, watery textures as well as a moodier colour palette to capture the feelings of change and confusion in the air. This noticeable change could be seen as an obvious way of avoiding comparison but it was in fact purely down to the change in subject matter as Whatever Happened to my Sister? was actually in development before Hug Me was created.
Although, I don’t believe in the “a bad sequel can ruin the original” train of thought, I was a little apprehensive as to how Simona could ever top Hug Me. However, thanks to Simona retaining her clever wit and illustrative charm, I was just as impressed with Simona’s second offering. And after much examination, I found the two titles not to be so different after all. Simona may have jumped from succulents to sisters with her main characters but her core themes moving from making friends to drifting apart from family is a much less dramatic leap. In this way, Whatever Happened to my Sister? is Hug Me’s spiritual successor.
And Simona’s next Flying Eye Book takes another natural step to look at ageing and its effect on relationships. The Lines on Nana’s Face sees signs of old age turn into wrinkles of wonder as a little girl learns about the important moments in her grandma’s life. As ever the concept in this new title is prominent. Simona’s illustrative talent is immense – her spontaneous, energetic use of line and texture is almost reminiscent of Quentin Blake and her use of calm colour is warm and uplifting – she believes having a story you need to tell, or a powerful idea, is most important of all.
“Being a competent artist is a great help to the extent that it makes it easier to create a readable narrative and an object that’s pleasant to look at, but should not in itself be the most important aspect of creating a book. That being said, I do believe there’s an intrinsic value in the beauty of pictures and their striking ability to reach places that are difficult to get to with words alone.”
– Simona Ciraolo
As for what could be next for Simona, the possibilities seem endless. A cacti-led take catching up with a fully grown Felipe (a part of me will always secretly be hoping for this) or something entirely new and different? With each title added to the Ciraolo library, I am more and more confident the next will be a success. Each title seems just as witty, intelligent, emotive and beautiful as the last and I can’t wait to watch as Simona’s glittering career unfolds – a picture book legend in the making I am sure.
This is a guest post from Greg McIndoe who blogs at Headless Greg.